New Orleans’ oldest Mardi Gras Indian chief and former Oakland resident, Ray “Big Chief Hatchet” Blazio, was laid to rest with a huge traditional jazz funeral in the historic Treme neighborhood earlier this month.
Blazio, 82, who had been experiencing health issues in recent years, died at his Seventh Ward home on June 17.
A New Orleans culture bearer, Blazio moved to Oakland in 2006 after Hurricane Katrina flooded his Seventh Ward home. He brought many Crescent City traditions with him to the West Coast, and was the grand marshal of the annual Oakland Fat Tuesday Mardi Gras parade with local bands M.J.’s Brass Boppers and the Blue Bone Express.
Chief Hatchet also sometimes performed with the Boppers at local clubs, banging his tambourine and singing traditional Mardi Gras Indian songs like “Indian Red.” He loved music, and would make sure to attend when New Orleans’ Rebirth Brass Band, The Soul Rebels or Trombone Shorty played in town.
Blazio was a bridge between Oakland and New Orleans, and several of his Oakland friends made it to his celebration of life at the Treme Community Center, including the Bopper’s cofounders Michael “M.J.” Jones and Nate Cameron.
“The Big Chief’s wisdom, knowledge and authentic New Orleans spirit will be missed,” Cameron said.
Cameron, who moved back to New Orleans to become the tour and production manager for Grammy-nominated Tank and The Bangas, said he learned a lot from Blazio not only about New Orleans culture, but also about how Blacks unified and started the social aid and pleasure clubs, which provide support and assist those in need. Blazio also shared insight into the Black masking Indian tribes and collectives, and how they were influenced by Native Americans. He realized their role was not only to empower and educate the community, but to also celebrate it, Cameron said.
“Being a Mardi Gras Indian, you got to be determined, you got to have the time and you got to have that spirit,” Blazio told the Bay Area News Group in a 2010 interview. “It cost plenty of money and plenty of time; you’ve got to love it.”
Mardi Gras Indians began parading in New Orleans as far back as the mid-19th century, wearing colorful feather suits with elaborate beading influenced by Native American ceremonial outfits. The “masking” tradition originated from African Americans and Native Americans having the common bond of being minorities within a dominant culture.
The Mardi Gras Indians sew their own suits, which can cost as much as $5,000 and weigh up to 150 pounds.
“I started masking because of the love of it I had, and being around it so much,” Blazio said of wearing the iconic costumes. “I came up with it and I can never forget it. That’s my culture.”
Members of the legendary Treme Brass Band and the Black Men of Labor social aid and pleasure club, with their multicolored suit jackets and white gloves, led Blazio’s funeral procession as it wound its way through the historic neighborhood where Louis Armstrong and other musical greats grew up. Hundreds of people, including some Mardi Gras Indians who wore their suits despite the sweltering heat, formed what is known as the second line behind the family.
Blazio’s three daughters Renita, Yolanda and Rachelle Blazio grew up with the Mardi Gras Indian culture and embraced it from a young age. Renita began masking when she was 9, and still masks during Jazz Fest in New Orleans whenever she can make it down from her home in Dallas.
“He meant the world to us, and loved and provided for us,” Renita Blazio said of her father. “He taught me to be an authentic person and always help others.”
As a youngster in New Orleans’ Seventh Ward, Blazio grew up around the fascinating Mardi Gras Indian culture. In 1961, when he was 21, he joined the Yellow Pocahontas tribe as Big Chief Tootie Montana’s flag boy, many say he was one of the best. In 1990, Blazio founded the Wild Apache tribe and was appointed Big Chief.
He remained active for many years, parading through the fairgrounds at City Park during the New Orleans Jazz & Heritage Festival each year and often performing songs on stage. He attended Indian practices up until his death.
The hundreds of people who turned out for Blazio’s funeral was a testament to his decades-long legacy and love of New Orleans and its Mardi Gras Indian culture. The procession flowed through Louis Armstrong Park, and made a stop at Montana’s statue to pay homage to Blazio’s mentor as the band played “Lil’ Liza Jane.”
As Blazio once said: “Everything is made for love.”
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